Hope Is a Dangerous Thing Lana Del Rey Album Art
Soft, sorrowful and radiating with heartfelt sincerity, Lana Del Rey's "Promise Is a Dangerous Matter for a Adult female Similar Me to Have – Only I Have It" is a wonderful case of the vocaliser-songwriter-poet's talent not just in producing music, simply also in rebuilding her paradigm with remarkable cocky-sensation and intelligence.
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My old French literature professor had an all-time favourite quote that he'd always introduce new authors and pieces with. "Recollect: 'I is another'," he used to say, citing nineteenth-century Symbolist poet Arthur Rimbaud, who was only seventeen when he captured something truly cardinal most the homo psyche in that short, to-the-point phrase. Information technology is incommunicable to know yourself entirely, he said; no matter how much time you spend thinking nigh and trying to ascertain who you are, that exploration will never be perfectly complete or accurate, since you tin can't simultaneously exist the object and the subject of the cogitating process. For my professor, Rimbaud's pithy words were of especial significance to the interpretation of automobile-biographical works. "I is another" – the lyric persona, the "I" of poems, novels, and even vocal lyrics, is non to be confused with the writer him- or herself. Even in the most openly, blatantly autobiographical works, the "I" of the text will always be somewhat different from the author; the image that the artwork presents is always a creation, a manipulation, and thus, role of the artwork itself – or indeed an artwork on its own.
There are 2 reasons why I thought it interesting – or perhaps fifty-fifty necessary – to begin this review on such a literary-philosophical annotation. Showtime, the literary world – intertextual allusions and references – play a very important office in the Del Rey universe; second, I couldn't retrieve of a modern mean solar day creative person who handles her self-image with better care or more than intelligence. From her 2011 debut onwards, the 33-year-onetime Elizabeth Woodbridge Grant has appeared in more forms and has taken up more roles than nosotros could possibly count, from young, fragile, Bambi-eyed ingenue ("This Is What Makes U.s. Girls") to a potent, reflective, purposeful hippie queen ("When The World Was At State of war Before We Kept Dancing"). Throughout the years, i thing and one thing only remained constant: Lana Del Rey's ability to transition from one persona to the other in a remarkably seamless style, all the while maintaining an exceptional level of effortlessness and never letting her various (new) identities experience in any fashion contrived or conflicting.
For her sixth album, Norman Fucking Rockwell, fix to be released early this year, Lana Del Rey seems to have taken yet another turn in developing her image. Her previous tape, Lust for Life, was praised not only for its fresh, more circuitous audio and its optimistic outlook, but also for finally going beyond and breaking out of the relatively "small range of emotions" (abandonment, heartbreak, loneliness, affective) that defined her songs for years. Merely while Lust for Life certainly marks a great step forwards in terms of maturity as an author and equally a musician, information technology lacks the overwhelming self-sensation and personal nature that was so crucial to earlier songs; the Lana image of the 2017 record was unusually "selfless," focused much more than on the collective than the individual – which, of class, is not a problem or a shortcoming, only only a quality that reflects Del Rey's talent as an ever-changing, incredibly diverse artist.
"hope is a dangerous thing" – Lana Del Rey
Her newest song, "Promise Is a Dangerous Matter for a Woman Similar Me to Have – But I Accept It," is notwithstanding another – as brilliant – example of how easily Del Rey can reinvent herself while maintaining full command over her prototype and never compromising authenticity. Soft and sorrowful, "Promise Is a Dangerous Thing…" retains the simple piano melodies and tender vocal commitment that have been cardinal elements of Del Rey's music since "Video Games." But behind the similarities of sound and rhythm, two very different – near contrasting – Lana images sally.
I was reading Slim Aarons
And I got to thinking that I thought
Maybe I'd go less stressed,
if I was tested less similar
All of these debutantes
Smiling for miles in
pinkish dresses and high heels
On white yachts
But I'1000 non
Baby I'm not
"Hope Is a Dangerous Thing…" shows a Lana nosotros have never seen earlier. There'south a sense of double-ness to this new prototype: she appears both as a grown woman, reflecting back on her past with bitterness and grief, as well as a fearful kid notwithstanding battling the monsters under her bed. In many ways, she'due south the opposite of her earlier Lolita-self: an developed with the fragility and vulnerability of a immature girl, altogether dissimilar from the Nabokov-inspired character. And while the literary paradigm Del Rey calls upon here is much more than tragic – she invokes Sylvia Plath's heartbreaking story – it also shows staggering cocky-awareness and maturity. She no longer shies away from her demons, just has the backbone to own up to their existence and realise, if not have, that they're part of who she is – as is the endless boxing against them:
I've been tearing up town in my fucking white gown
Like a goddamn near sociopath
Shaking my ass is the merely thing that'southward
Got this black narcissist off my back
These lines radiate with the heartfelt, poignant sincerity that characterises the whole track, and which reaches its climax at the very cease, culminating in the powerful expression of a new sentiment: hope.
Hope is a dangerous thing
For a adult female like me to have –
But I have it
Lana'due south concluding, incredibly impactful words and their quiet simply relentless optimism reshape the song entirely. Promise transforms pain into experience, suffering into cognition, mournfulness and melancholia into wisdom, introducing a fresh chapter in the Del Rey story. Lana Del Rey is stronger than ever, set up to rock the world with Norman Fucking Rockwell – and I tin can't expect to find out what the future holds for the vocalist and her colourful characters.
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Source: https://atwoodmagazine.com/ldrhd-lana-del-rey-hope-is-a-dangerous-thing-song-review/
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